Specificity & Cascade Rule Css External, Internal, Inline Style Sheets

External Style Sheet:
Enter Following Code between HEAD tags of web page.
eg. Available Continued Link
This will links to your .css file once you define your path.
NOTE:
(Site Editor does not allow CSS Code but can view Article Continued Link)

eg. @import method – use within the STYLE tags:
Available Continued Link

eg. import file within a CSS style sheet: @import
Available Continued Link
(NOTE: @import rule must come before all other content in .css (comments included) or .css may not load properly)
(Efficient; global changes for large web sites can occur automatically by altering only one file. Ensures a consistent look, easier maintenance, improved flexibility for updating, saves download times (style sheet is cached, net weight of page decreases).

Internal Styles are EMBEDDED within HEAD tags using STYLE tags
eg. Available Continued Link
(NOTE: Styles within this method SUPERSEDE styles in External Sheets).
(Increases load time but useful if testing pages; saves time)
(NOTE: The More Specific Rule between internal and external style sheets WINS the SPECIFICITY contest).

Inline Style Attribute:
Code is entered within tags using the XHTML style attribute (this case paragraph tags).
eg. p tags Available Continued Link
(Inline styles have the highest priority, HOWEVER keep in mind this could interfere with the Cascade Rule. Benefit; quick to alter one-off or less occurring situations). This method mixes content with presentation losing many of the advantages of style sheets.

The Cascade Rule influences the flow down effect of the CSS selectors with a Weight or Order of importance assisting browsers to interpret hierarchy of selectors to parse. Basically it Resolves conflict between selectors.
Specificity (determines how specific a CSS rule is) it’s determined by ID attribute count, how many pseudo-classes are in the selector, and number of element names in the selector.

The rule coded last takes precedence if two+ style rules are considered equal in specificity.

Specificity is calculated by ranking selectors; Inline Selector TOP > NEXT ID’s Selector > THEN classes/pseudo class Selectors > LAST Tag Elements/pseudo elements (CSS 2.1). Calculation represented in this fashion 0-0-1-1 (the higher number wins specificity race).

Remember Inline Styles take Precedence over ALL.

COMPLETE ARTICLE Includes Specificity Calculation Continued Authors Link

Get Up And Running With These Web Design Tips

Have you ever seen a website that you were just really impressed with? From layout to graphic design, there are many elements which turn a website from good to great. Here, you will learn some of these tricks. So keep reading and take note of what you read.

If you’re designing a website, make sure the code you write has a valid HTML+CSS. Although most browsers can make sense of code that isn’t valid, it could be rendered correctly or incorrectly. Valid code will render the same way most of the time in modern browsers. You can check the validity of your HTML code with an HTML validator.

On the Internet today, speed is where it’s at. So you must make sure everything on your site loads fast. If your website takes ages to load, they will wash their hands of your site and find one that loads in a reasonable amount of time.

You don’t ever want to use too much graphics. Graphics are indeed important to make your website look well-designed and professional, but if you use too many, it just looks cluttered. Don’t just use graphics to decorate the website; they should be used to make it better. Having the right mix of graphics will improve your site’s usability, too.

Keep the sizes of your files and images small. Excessive loading times are a death knell for any site. The larger the files are that must load, the longer a user’s load time is going to be. Most users will click away if the page doesn’t start to load within the first few seconds of opening your page.

Build your website using a content management system. Knowing how to build a website using just HTML and CSS is good foundation knowledge, but this can only produce a static website. Web design has evolved into providing dynamic content. If you couple your coding skills with the use of a content management system, you can practically build any type of website that you desire.

Add a link where your visitors can send you feedback. You will find out if a link is broken or if a page is not loading properly. If a visitor feel involved, he or she will want to see your website again.

Minimize the amount of clicking or scrolling visitors must do to access information. The more a user has to click or scroll around to find the information they seek, the more likely they are to give up looking for it. Aim for having at least 400 words on every page of your site by combining pages that have content that falls below this number of words.

Make text easy to ready by using colors that contrast or backgrounds that are easy to read text on. When your text is harder to read because the background or text color creates eye strain or portions of text that are unreadable, site visitors are less likely to stick around.

Now you know some great places to begin with web design. Write down what you enjoyed about other sites, and figure out how to incorporate them into your site. Enjoy the process and remember to continue learning.

Html Email Design Best Practices

HTML Emails are arguably the most effective of all email marketing designs. Theyre eye catching, engaging and flexible. They provide you with a variety of opportunities to promote your business and achieve email marketing success. However, there are many pitfalls to be aware of when designing HTML Emails. In this article well highlight some of these and give you a few tips to help you design effective email campaigns.

Back to the old school

Theres no point denying it HTML Email design is Old School web design. This means no Stylesheets, JavaScript or Flash, they just wont work consistently across the wide and varied range of email clients.

When it comes to layout its back to a basic table-based structure, which may, to some web designers seem like committing web standards blasphemy. However, when you take into account the number of email clients that either remove or pay no attention to CSS it becomes quite clear going back to basics is the only way to guarantee your email looks the same regardless of which email client is displaying it.
We have found when designing table based layouts using merged cells (indicated by colspan and rowspan in your code), some email clients, especially Lotus Notes will usually distort any layout with merged cells. Instead, using nested tables will work more consistently than merged cells. For example, a two column layout could consist of a base layer of one table with two columns with other tables inserted into each column to give you space to enter your content.
Looking Good

A great deal of formatting can be done using Inline Styles small snippets of CSS code inserted into either a containing table cell (&#60td&#62), in paragraph tags (&#60p&#62) or span tags (&#60span&#62)

Below is an example of an inline style insert into a table cell tag:

&#60td width=”400″ align=”left” valign=”top” style=”color:#000000; font-family:Arial, Helvetica, sans-serif; font-size:11px;”&#62

This style would then apply to the text contents of that table cell. Other standard HTML formatting tags such as &#60strong&#62, &#60em&#62, &#60font&#62 etc can be used as well to vary the formatting on top of this base style.
When deciding on a font for your email its always best to stick to a font that most, if not all, of your readers will have. Common fonts such as Arial, Verdana, Tahoma, Times New Roman and Georgia should be fine. If youre willing to take the risk of a slightly lesser-known font its good practice to specify a set of backup font faces in your inline style eg.
&#60td style=” Lucida Console, Arial, Helvetica, sans-serif; “&#62

If a computer does not have a certain font it will look to the next in the list to see if it has that one.

Time Warp

When we first got our hands on Microsoft Outlook 2007 we were a bit taken aback with what Microsoft had created, not only locking it down to use only the Word HTML rendering engine (Outlook 2003 will let you choose between normal HTML and Word rendering) but also support for background images had been removed, which meant a real step back with what you can and cant do to keep your emails looking good.

To ensure the most consistent display across the majority of email clients, we took the decision to not include background images in our designs (unless otherwise specified by the customer), and weve come up with a few little tricks along the way to help us keep our designs looking top notch. The main thing to remember is HTML text should only appear on a solid background colour (which you can set in a table cell). There should be no gradients or any other fancy effects behind actual text, unless you plan to include that text in an image.

The final few things…

There are hundreds of elements to take into consideration when designing a HTML email. These are just a few of the most important things to consider:

Create a plain text version of your email to send alongside the HTML version for those who prefer it and for mobile devices and email clients that only accept text only email.
Keep the width of your email between 600-650px to ensure readability for the maximum amount of email clients.
Assign an alt tag to each image so if readers have the images turned off they should see some sort of useful information to assure them the email is legitimate.
Always set height and width attributes on images in your HTML design. Some email clients like Outlook 2003 and 2007 will suppress images in the inbox. Failing to put a height and width will result in your deign be distorted by the security message that is inserted by the email client into the image space.
Use images at the size they are meant to be rather than resizing them with HTML some email clients will ignore the HTML resize and just display the image at its original size.

Whatever you choose to do with your email marketing designs, the most important thing is to test, test and test again. You should always proof your email into the major email clients to ensure its rendering correctly and ask a proof group to check for spellings or design issues too. However, just because there are limitations to HTML email design it doesnt mean you cant be creative or push the boundaries to see what impacts on delivery, open and click through rates. Remember the aim of any email is to achieve your goal and sometimes being safe with your design isnt the best option.

How to Design a professional Web Site ….be simple!

It’s hard to find information on how to be a designer You can easily find loads of stuff in books or online to inspire you about beautiful graphics, and plenty of technical know-how on CSS, HTML and code. But if you want to find out how to be a web designer, structure a site that succeeds, decide on layout and craft pages that work, there are very few resources available.

Simple solutions are always the best.

The goals of each web design can vary greatly from one project to the next, but we should always strive for efficiency and simplicity. This will deliver a cleaner result that facilitates accurate communication with less margin for error. It also takes less work to make something simple than it does to make something complex. When crafting a web page, We aim to use as few -things- as I need to achieve the purpose. -Things- includes pages, words, pictures, choices, gradients, borders, boxes, graphics, columns etc. etc.. This helps make each step seem more obvious and feel easy.

This approach isn’t new. Economy has always been one of the core disciplines in Art and in Design. The Old Masters were masters of economy. Look at the brush strokes on an old painting, and you’ll see how much people achieved with so few strokes. It’s not that they didn’t have the talent, or the time, to do more strokes, it’s just that they knew that using as few strokes of the brush as possible to create the desired effect produces the best result. Using rougher strokes on areas like backgrounds or material on clothing helped the eye to focus on the finer detail.

The same goes for web design. While your mode of interaction with a web site is very different to a painting, a lot of the principles that artists have used for centuries can apply to any medium. Web designers should follow the same discipline to apply only as much detail as is necessary, putting it where it’s most needed, to manage viewers’ attention.

Our experience, along with a great passion for art and design, are the right and ideal solution to understand and meet your web requirements.

Ideen & label studios, Web Design Milano! Born to help you improve your business ! Visit us on www.ideeenlabel.com

Web Design

Fantastic And Creative Web Design Styles www.guidedcreative.com Recently, my department was tasked with a goal that left a few of us filled with a bit of anxiety (as it does most teachers when asked to take on this task)-our goal for the new year is to create or revise an online teaching portfolio. While most teachers are expected to have a completed portfolio they can call up at a moment’s notice, that portfolio is generally in print form and lacks the interactivity that is possible with today’s technology. So, I was excited to tackle this project and expand my already existing mini-portfolio to a full-fledged site with samples, student work, videos, images, and lesson plans.

George David Clark of The Chronicle of Higher Education discusses three tips for a successful portfolio in his 2012 article on the subject. According to Clark, in developing a portfolio, a teacher should focus on organizing to minimize By providing the target audience with a clear organizational structure and cutting content that doesn’t web developers support that structure, a teacher can ensure that one clear message regarding theory and approach to instruction is being communicated. In addition, a strong teaching portfolio should clearly chart a teacher’s development and maturation as a professional. Finally, Clark suggests focusing on the student as a measurement of success.

Christmas is coming and we should think how to cheer up yourself or your design related friends and I came up with list where I included all bestsellers and the most popular and recommended design related books I could find. I am reading slowly through these books myself and I plan to review and feature them in future one by one! Of course in blogosphere you can find endless articles you could read,but what’s great with books – books have very clean and detailed content structure explaining and teaching you everything point by point slowly and clearly!

With a swift and convincing stroke, the authors of Information Architecture for the World Wide Web tear down many entrenched ideas about web designers london . Flashy animations are cool, they agree, as long as they don’t aggravate the viewer. Nifty clickable icons are nice, but are their meanings universal? Is the search engine providing results that are useful and relevant? This book acts as a mirror and with careful questioning causes the reader to think through all the elements and decisions required for well-crafted Web design. -Jennifer Buckendorff -This text refers to an out of print or unavailable edition of this title.

Standards, argues Jeffrey Zeldman in Designing With Web Standards, are our only hope for breaking out of the endless cycle of testing that plagues designers hoping to support all possible clients. In this book, he explains how designers can best use standards-primarily XHTML and CSS, plus ECMAScript and the standard Document Object Model (DOM)-to increase their personal productivity and maximize the availability of their creations. Zeldman’s approach is detailed, authoritative, and rich with historical context, as he is quick to explain how features of standards evolved. It’s a fantastic education that any design professional will appreciate. more information